Finding Solutions for Protecting and Sharing Archaeological Heritage Resources:1st ed. 2016
Erscheinungsdatum: 24.11.2015Medium: TaschenbuchEinband: Kartoniert / BroschiertTitel: Finding Solutions for Protecting and Sharing Archaeological Heritage ResourcesRedaktion: Underhill, Anne P. // Salazar, Lucy C.Verlag: Springer-Verlag GmbH // Spri
Caring and Sharing: The Cultural Heritage Environment as an Agent for Change:2016 ALECTOR Conference, Istanbul, Turkey. Auflage 2018
Caring and Sharing: The Cultural Heritage Environment as an Agent for Change:2016 ALECTOR Conference, Istanbul, Turkey Springer Proceedings in Business and Economics. 1st ed. 2019
Finding Solutions for Protecting and Sharing Archaeological Heritage Resources:SpringerBriefs in Archaeology. 1st ed. 2016 N.N
Gebraucht - Sehr gut - ungelesen,als Mängelexemplar gekennzeichnet, mit leichten Mängeln an Schnitt oder Umschlag durch Lager- oder TransportschadenPublic Regulation of Tumor Banks: Establishment, Heritage Status, Development and Sharing of Huma
Standing for Music Compact Mixer 8, the MCM-8 is an 8 slot 500 Series enclosure with 10 channel mixing capabilities and it´s the Top of the Line of the new Heritage Audio ´´ON SLOT” Technology (OTS) 500 Series enclosures.´´ON SLOT TECHNOLOGY” takes advantage of last generation power electronics to handle power supply on a ´´per slot” basis. Each slot has its own power supply linear regulation stages; therefore modules are isolated from the rest. They just share the metal enclosure.With literally hundreds of brands making 500 series modules, we at Heritage Audio think this is the professional way of handling this reliably, eliminating issues often associated with sharing power between different modules of different brands and natures.Each slot features test LEDs for checking correct power operation (red for +16v, green for -16v), located aside of the slot connector.Thanks to the use of OST, the power capability of the MCM-8 is 400mA per rail per slot maximum, with an overall of 1.4A (1.6A non continuous) per rail, whichever is reached first.Phantom power available is 140mA total.The RAF Blue Gray enclosure is made out of heavy gauge steel with an aluminum front panel.There are Pan and Fader controls per slot on dual concentric potentiometers. Pan pots are center detent for precise center positioning. Features include an ON switch to assign each channel to the Mix Bus.The Mix Bus follows a passive, voltage summing topology, similar to that found in the 80 Series consoles of the 70s. The gain loss is restored by the same Class A, 2n3055 driven, transformer based output stage used in the Heritage Audio 1073.An additional Stereo Input is provided on the back of the unit, allowing several MCM-8 units to be daisy chained, or signals not needing further 500 series processing to be mixed together.The central section has analog VU meters and a Stereo Master fader.Connections are made by means of both gold plated XLRs and DSUB25 Input and Outputs, with Standard Tascam protocol.MIXER SECTION TECHNICAL SPECIFICATIONS• Channel Input Impedance: 20 Kohm.• Maximum level input: +22dBu• Maximum output level: Greater than +26dBu into 600ohm.• Frequency response: ±0.5dB 20Hz to 20kHz• THD + N: Not more than 0.07% from 50Hz to 10kHz at +20dBu output (80kHz bandwidth) into 600Ω.500 SERIES POWER SPECIFICATIONS• On Slot Technology• Maximum audio rails current: 1.6A per rail, or 400mA per rail per slot, whatever is reached first.• Maximum phantom power current: 140mA.• Operating voltage: 100-240 VAC.
Recent years have witnessed a rapid increase in the fields of cultural heritage studies and community archaeology worldwide with expanding discussions about the mechanisms and consequences of community participation. This trend has brought to the forefront debates about who owns the past, who has knowledge, and how heritage values can be shared more effectively with communities who then ascribe meaning and value to heritage materials. Globalization forces have created a need for contextualizing knowledge to address complex issues and collaboration across and beyond academic disciplines, using more integrated methodologies that include the participation of non-academics and increased stakeholder involvement. Successful programs provide power sharing mechanisms and motivation that effect more active involvement by lay persons in archaeological fieldwork as well as interpretation and information dissemination processes. With the contents of this volume, we envision community archaeology to go beyond descriptions of outreach and public engagement to more critical and reflexive actions and thinking. The volume is presented in the context of the evolution of cultural heritage studies from the 20th century ´´expert approach´´ to the 21st century ´´people-centered approach,´´ with public participation and community involvement at all phases of the decision-making process. The volume contains contributions of 28 chapters and 59 authors, covering an extensive geographical range, including Africa, South America, Central America, Western Europe, Eastern Europe, North America, and Australasia. Chapters provide exemplary cases in a growing lexicon of public archaeology where power is shared within frameworks of voluntary activism in a wide diversity of cooperative settings and stakeholder interactions.
The RAM System 2000 features generous I/O, with three pairs of +4dBu balanced analog inputs and three stereo outputs, an independent pre-fader MIX OUT, independent stereo CUE I/O, a S/PDIF coax input, and pro-audio-quality Bluetooth input for easy mobile device integration. The 2000’s two audiophile-grade diamond-buffer-based headphone amplifiers are capable of driving any headphones without noise or coloration. For easy recall of common settings, two user-assignable preset levels are provided. For communicating with talent, there’s a built-in Talkback with console-style management. Lastly, Heritage Audio equipped the RAM System 2000 with an independent Subwoofer output that lets you effortlessly share your sub between different speaker pairs.Desktop-format monitor controller with classic looksDesigned for the studio that needs enhanced, mastering-grade stereo monitoring capabilitiesAll functions on high-quality illuminated engraved buttons64-step relay ladder attenuation for master level control in 1dB steps3 pairs of +4dBu balanced analog inputs (input 3 is configurable for -10dBu unbalanced signals)Independent stereo CUE I/O for cue-mix distribution to artistsS/PDIF coax input with Burr-Brown 24-bit/96kHz D/A conversionPro-audio-quality Bluetooth input for easy mobile device integration3 stereo outputsIndependent MIX output (pre-fader; follows Input)Independent Subwoofer output facilitates sub sharing between different speaker pairsDIM function; MUTE/SOLO for individual speakers2 user-assignable preset levels for easy recall of common settingsBuilt-in Talkback with console-style management, including Talkback to Cue, Talkback to Mix, and Talkback to All2 high-level, ultra-high-current, audiophile-grade diamond-buffer-based headphone amplifiers, capable of driving any hi- or lo-Z headphones without coloration or noiseHeadphone source selectable between mix and cue signalsState-of-the-art analog circuitry for superior transparency and ultra-low noise and distortionAll gold-plated relay-based switching for every function, including inputs and outputs